By Adam Phillips
Want to create studio-quality paintings and get spotted? simply coming off Flash and seeking out a Toon increase intro? Are you a conventional pencil-and-paper animator? From scene setup to the ultimate render, navigate the Toon increase interface to create animation that may be released on a number of structures and formats.
Animate to Harmony publications you thru Toon Boom’s Animate, Animate professional and concord courses, instructing you the way to create high quality 2nd animation of all complexities. the most textual content focuses onfeatures which are universal throughout all 3 courses whereas "Advanced innovations" containers in the course of the e-book tricky on seasoned and concord good points, attractive to all degrees of expertise with any of the 3 major Toon increase products.
Read Online or Download Animate to Harmony: the independent animator's guide to Toon Boom PDF
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Extra resources for Animate to Harmony: the independent animator's guide to Toon Boom
Sketch a simple shape with a number of individual strokes. 46 > 5. Select the Pencil Editor [Alt W] and drag a selection area around all of the Pencil strokes. > 6. In the Pencil Editor properties, click the Merge Lines button. Chances are the merge has created gaps or merged too much. > 7. On your keyboard, press [Ctrl/⌘ Z] to undo the merge. > 8. Now try again by selecting just a few strokes at a time and merging them.
In the Timeline, select frame 1. > 3. In the Camera View, draw a line, a triangle and a circle. > 4. For organic shapes though, it’s definitely a hard, wiry, almost-too-perfect look. > 5. Press [K] to Show Strokes. A single, central line is much lighter and faster for the computer to process than the Brush stroke’s vector outline. If you haven’t carefully closed the circle and triangle, these little end markers will reveal the gap, at a glance. PENCIL EXERCISE 2 CLOSING GAPS > 1. Ensure you have the Pencil [Alt /] selected.
23. > 5. In the Camera View try sketching in an empty part of the scene. It won’t sketch like the normal Brush mode because it only works on already-painted areas and strokes. > 6. With the Brush holding the new colour, paint over your existing sketches. Here you can see how the sketch strokes, and nothing else, are repainted with the new colour you chose in step 2. 25 > BRUSH EXERCISE 7 CUSTOM BRUSHES I’ve intentionally skipped the remaining mode buttons as they’re linked to more advanced concepts and will be covered later in the book.