By Jean Ann Wright
Animation Writing and improvement, From Script improvement to Pitch (Focal Press visible results and Animation) Искусство. Ремесло. Бизнес. Создание анимации. The paintings. The craft. The enterprise. Animation Writing and improvement takes scholars and animation execs alike throughout the strategy of growing unique characters, constructing a tv sequence, function, or multimedia undertaking, and writing expert premises, outlines and scripts. It covers the method of constructing presentation bibles and pitching unique initiatives in addition to principles for episodes of exhibits already at the air. Animation Writing and improvement comprises chapters on animation historical past, on baby improvement (writing for kids), and on storyboarding. It supplies suggestion on advertising and discovering paintings within the undefined. It offers routines for college students in addition to checklists for pros sharpening their craft. it is a consultant to changing into an exceptional author in addition to a winning one.
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Additional resources for Animation Writing and Development, From Script Development to Pitch (Focal Press Visual Effects and Animation)
Animation turned to the classics and to films for children, often with political or educational themes. The first director of Sojuzdetmultfilm, the new production center, was Alexander Ptushko. The earliest Soviet films after World War II were traditional films in the Disney tradition. In 1953 puppet and cutout films were encouraged with the opening of a special section at Sojuzmultfilm. The primary artists during this postwar period were Ivan Ivanov-Vano, the Brumberg sisters (who made mostly education films), and Lev Atamanov.
In 1962 two German animation producers, Wolfgang Urchs and Boris Von Borresholm, signed the Oberhausen Manifesto, which initiated a new German cinema and opened up new opportunities. During the 1980s Berlin Film and AV developed television series for Iraq. A major festival was started in Stuttgart in 1982. Other important artists included Helmut Herbst, who influenced many animators, and Ulrich König, who made some of his films at Pannonia in Budapest. The brothers Christoph and Wolfgang Lauenstein won an Oscar for their 1989 film Balance.
Writer/illustrator/actor Robert Storm-Petersen released animated films made by his own production company in Denmark from about 1916 until 1930. Allan Johnsen produced the film, Fyrtøjet, and Bent Barfod made So Be It Enacted at his own studio in 1964. In the 1960s Denmark financed art shorts. These were mostly films with cutouts and other low-cost animation. Many of the themes were social. Jannik Hastrup made political and social films, some of them radical. In 1984 Hastrup finished Samson & Sally, a feature about whales and pollution, and in 2003 he released The Boy Who Wanted to Be a Bear (co-produced in France).